The rundown of how the artists navigated the challenges of animating Hell Boy was fantastic!! It also reminds me of how much I want to learn and develop in terms of my own craft—the kind of examination and articulation in concrete terms as you did here was so valuable. I remain a bit confused about why Mignola stipulated that the film differ stylistically from his original work—especially since it looks like he was able to work closely with the team anyway...
Really fun article as always. Thanks for sharing the The Spirit of Genius I wasn't aware of this documentary despite being very fond of Fyodor Khitruk's work sometimes information on Eastern European and Russian animation can be sparse if you don't know where to look and often its not translated into English. Thanks again.
The rundown of how the artists navigated the challenges of animating Hell Boy was fantastic!! It also reminds me of how much I want to learn and develop in terms of my own craft—the kind of examination and articulation in concrete terms as you did here was so valuable. I remain a bit confused about why Mignola stipulated that the film differ stylistically from his original work—especially since it looks like he was able to work closely with the team anyway...
Really fun article as always. Thanks for sharing the The Spirit of Genius I wasn't aware of this documentary despite being very fond of Fyodor Khitruk's work sometimes information on Eastern European and Russian animation can be sparse if you don't know where to look and often its not translated into English. Thanks again.