I read this article a year ago and today I finally got around to watch it. The three shorts were fine enough, but this one is the best of the bunch by far. After watching it I felt the need to reread this article again, as to enhance the experience. Thank you.
BTW, what does he supposedly see at the end? It is like a red thingy, but it doesn't look like the baby cart.
I was unfamiliar with "Invisible" until this article - I just watched the clip and it was terrifying! And so good. I'm looking forward to watching Modest Heroes. And everything else cited :-) So much to explore in this piece! Thank you!
I read this article a year ago and today I finally got around to watch it. The three shorts were fine enough, but this one is the best of the bunch by far. After watching it I felt the need to reread this article again, as to enhance the experience. Thank you.
BTW, what does he supposedly see at the end? It is like a red thingy, but it doesn't look like the baby cart.
Excellent newsletter as always. Small note, the Mexican director's surname is not Inharitu but "Iñárritu".
Wow, High Noon was such a pleasure to watch. I love the simple, goofy style. It's refreshing!
I was unfamiliar with "Invisible" until this article - I just watched the clip and it was terrifying! And so good. I'm looking forward to watching Modest Heroes. And everything else cited :-) So much to explore in this piece! Thank you!
Having the context for these works is fascinating. Thank you for doing these deep dives! “Invisible” is pretty much breathtaking.
nice blog